Abstract
One of the most difficult scenarios for unsupervised segmentation of moving objects is found in nighttime videos where the main challenges are the poor illumination conditions resulting in low-visibility of objects, very strong lights, surface-reflected light, a great variance of light intensity, sudden illumination changes, hard shadows, camouflaged objects, and noise. This paper proposes a novel method, coined COLBMOG (COLlinearity Boosted MOG), devised specifically for the foreground segmentation in nighttime videos, that shows the ability to overcome some of the limitations of state-of-the-art methods and still perform well in daytime scenarios. It is a texture-based classification method, using local texture modeling, complemented by a color-based classification method. The local texture at the pixel neighborhood is modeled as an..-dimensional vector. For a given pixel, the classification is based on the collinearity between this feature in the input frame and the reference background frame. For this purpose, a multimodal temporal model of the collinearity between texture vectors of background pixels is maintained. COLBMOG was objectively evaluated using the ChangeDetection.net (CDnet) 2014, Night Videos category, benchmark. COLBMOG ranks first among all the unsupervised methods. A detailed analysis of the results revealed the superior performance of the proposed method compared to the best performing state-of-the-art methods in this category, particularly evident in the presence of the most complex situations where all the algorithms tend to fail.

Abstract
Multimedia content production is nowadays widespread due to technological advances, namely supported by smartphones and social media. Although the massive amount of media content brings new opportunities to the industry, it also obfuscates the relevance of marketing content, meant to maintain and lure new audiences. This leads to an emergent necessity of producing these kinds of contents as quickly and engagingly as possible. Creating these automatically would decrease both the production costs and time, particularly by using static media for the creation of short storytelling animated clips. We propose an innovative approach that uses context and content information to transform a still photo into an appealing context-aware video clip. Thus, our solution presents a contribution to the state-of-the-art in computer vision and multimedia technologies and assists content creators with a value-added service to automatically build rich contextualized multimedia stories from single photographs. © 2020 Owner/Author.

Abstract
Advertisements are often inserted in multimedia content, and this is particularly relevant in TV broadcasting as they have a key financial role. In this context, the flexible and efficient processing of TV content to identify advertisement segments is highly desirable as it can benefit different actors, including the broadcaster, the contracting company, and the end user. In this context, detecting the presence of the channel logo has been seen in the state-of-the-art as a good indicator. However, the difficulty of this challenging process increases as less prior data is available to help reduce uncertainty. As a result, the literature proposals that achieve the best results typically rely on prior knowledge or pre-existent databases. This paper proposes a flexible method for processing TV broadcasting content aiming at detecting channel logos, and consequently advertising segments, without using prior data about the channel or content. The final goal is to enable stream segmentation identifying advertisement slices. The proposed method was assessed over available state-of-the-art datasets as well as additional and more challenging stream captures. Results show that the proposed method surpasses the state-of-the-art.

Abstract
With the advent of self-driving cars, and big companies such as Waymo or Bosch pushing forward into fully driverless transportation services, the in-vehicle behaviour of passengers must be monitored to ensure safety and comfort. The use of audio-visual information is attractive by its spatio-temporal richness as well as non-invasive nature, but faces tile likely constraints posed by available hardware and energy consumption. Hence new strategies are required to improve the usage of these scarce resources. We propose the processing of audio and visual data in a cascade pipeline for in-vehicle action recognition. The data is processed by modality-specific sub-modules. with subsequent ones being used when a confident classification is not reached. Experiments show an interesting accuracy-acceleration trade-off when compared with a parallel pipeline with late fusion, presenting potential for industrial applications on embedded devices.

Abstract
Applying machine learning (ML), and especially deep learning, to understand visual content is becoming common practice in many application areas. However, little attention has been given to its use within the multimedia creative domain. It is true that ML is already popular for content creation, but the progress achieved so far addresses essentially textual content or the identification and selection of specific types of content. A wealth of possibilities are yet to be explored by bringing the use of ML into the multimedia creative process, allowing the knowledge inferred by the former to influence automatically how new multimedia content is created. The work presented in this article provides contributions in three distinct ways towards this goal: firstly, it proposes a methodology to re-train popular neural network models in identifying new thematic concepts in static visual content and attaching meaningful annotations to the detected regions of interest; secondly, it presents varied visual digital effects and corresponding tools that can be automatically called upon to apply such effects in a previously analyzed photo; thirdly, it defines a complete automated creative workflow, from the acquisition of a photograph and corresponding contextual data, through the ML region-based annotation, to the automatic application of digital effects and generation of a semantically aware multimedia story driven by the previously derived situational and visual contextual data. Additionally, it presents a variant of this automated workflow by offering to the user the possibility of manipulating the automatic annotations in an assisted manner. The final aim is to transform a static digital photo into a short video clip, taking into account the information acquired. The final result strongly contrasts with current standard approaches of creating random movements, by implementing an intelligent content- and context-aware video.

Abstract
The tremendous increase in photographs that are captured each day by common users has been favoured by the availability of high quality devices at accessible costs, such as smartphones and digital cameras. However, the quantity of captured photos raises new challenges regarding the access and management of image repositories. This paper describes a lightweight distributed framework intended to help overcome these problems. It uses image metadata in EXIF format, already widely added to images by digital acquisition devices, and automatic facial recognition to provide management and search functionalities. Moreover, a visualization functionality using a graph-based strategy was integrated, enabling an enhanced and more interactive navigation through search results and the corresponding relations.